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FAKED FINNISH
ORDERS & DECORATIONS
by Jani Tiainen (Originally Published in
in finnish in Kaliiberi magazine 6/1998-1/1999), Revised 2005.
Collecting orders and decorations
gained a lot of popularity in Finland in the beginning of
1990's and as the interest and the number of potential buyers
grew, the uglier downside of this business reared its head.
Our internationally most notable orders have
already been faked as early as in the 1970's, but in the late
80's and early 90's dishonest entrepeneurs became interested
in objects collected mainly within our national
borders: Course badges for civil guards, several
regimental badges and other lesser known objects were faked by
the dozens. On some badges the situation calmed down as the
fakes and the forgerers became known, but the volume of these
fakes was so large that new objects are discovered to this
day.
(Picture 1:
Grand Cross of the Order of the White Rose, Central European
copy. Enamel is quite poor in quality and one of the lions is
heading clockwise when others counterclockwise.
Picture 2: Original
Grand Cross of the Order of the White
Rose)
Some 60 years have passed since the Second World War. For
collectors this means that obtaining orders, decorations or
medals from their original owner or even knowing to whom the
objects have belonged in the past is difficult at best. These
days various merit medals and crosses find their way into our
collections from auctions and fairs or straight from another
collector. Middlemen and the often considerable
value of these objects usually complicate the process of
verifying the object's originality. Although the problem of
fakes in Finland isn't in the same scale as the faking of
orders, decorations, badges and medals of the Third Reich era,
the subject should be examined more liberally. For example, in
Finnish literature only Lassi Kaipainen's Vapaa Suomi -
Suojeluskunta ja Lottamerkit touches on the subject briefly.
Fake and Reproduction
Fake is a reproduction
or an alteration of the original object. The purpose of
producing a fake is to make it look like something it is not
in an effort to gaining some monetary profit.
An object which is manufactured to replace a lost or
destroyed original is a reproduction. Objects made for museums
or collections to represent unobtainable originals are also
reproductions. Those who collect objects of the Order of the
Cross of Liberty may dream of some day having the Grand Cross
of the Order or at least a 2nd class Mannerheim-Cross in their
collection. The problem, however, is that only 35 pieces of
the former were awarded to people in very high positions and
that the latter too is out of your average collector's budget.
The only way to obtain the cross is to get a decent
reproduction. For example, in Great Britain the
number of collectors has become so large that certain
companies have made copy Victoria Crosses and George Crosses
for collectors at a very reasonable price. Nearly every object
of the Third Reich has been reproduced as well. The
situation in Finland is quite different however - If someone
wants a certain object in his collection, one way to do
this is to have it made by a goldsmith. If this kind of a
reproduction is clearly indicated with the word COPY or is
marked otherwise to be different from the original, this sort
of procedure is by all means acceptable. However, if the copy
is unmarked and its quality is so high that it can be modified
by a goldsmith to match the original, we are dealing with a
fake. The problem with reproductions here in Finland is that
they are relatively much more closer to the original than the
aforementioned Victoria crosses.
Financial appeal of faking an object can be quite hard to
resist. Faked and copied orders and medals can be divided into
categories as follows:
1st Class "Superfakes"
- produced to match the original object completely.
Material, hallmarks and overall appearance are identical
- most of them perfect. Sometimes these fakes are made
using original parts or at least old tools and dies - and
therefore extremely hard to distinguish as a fake.
These type of fakes are mostly of old Imperial German
or Russian orders and certain rare objects of the Third Reich.
Modern technology has given
fakers the power of 3D-modelling and possibility to
manufacture identical duplicates of the original. Vica
versa - collectors and researches are then forced to use
computerized methods to analyze materials and paints and
compare them to known originals... Total science both
ways.
(Picture 3: Mannerheim Cross 2nd class. Very high
quality copy by local goldsmith. Pictured example not
numbered, but modified reverses have been detected.)
2nd Class Objects for museums and collectors. -
Reproduced to match the original as closely as possible.
Sometimes the manufacturing costs are relatively high and
overall appearance is good. Only the smallest
details : e.g. numbering, engraving and the hallmarks, are the
distinguishing particulars that allow to recognize the copy
from the original. On copies destined for museum or other
similar collections, the word ’COPY’ or some other such
indication should be visible For sure, this detail can
later be removed by polishing etc.but it can at the same time
reveal a fake unless the polishing was carried out with the
utmost care. Imperial German and Russian
orders are again categories with a lot of
reproductions of this type. Appreciated but
unfortunately very rare move was made by Kuenker Auktion from
Osnabruck Germany in their summer 2005 auction
They stamped high quality fakes with "Copy" mark to try
to avoid their reselling as originals.
3rd Class commercial, small-budget
fakes. -The most common type of fakes to made to
look like the original. Howerer, manufacturing costs are
being kept at the minimum and therefore finishing, enamelling
and small details give these away. Usually material, details,
catch, pin, screw, hinge etc. are different than the known
originals. Manufacturers' hallmarks and silver
hallmarks are absent or they are poorly represented.
Most of the fakes of finnish Orders and medals fit
in to this category, but lack of reference material makes them
dangerous for collectors. Large number of fakes can
still be avoided quite easily by learning few details, since
75% of all faked Finnish items were made by one person(!) He
was locally well known collector and author of the first
"collector friendly" book about finnish Liberation war badges
and medals in 1980's. Most of the faked items were spread
around in the late 1980's - early 1990's when he managed to
buy an old stock of tools and dies from famous
manufacturer Veljekset Sundqvist. After he passed
away few years ago left overs of his "stock" were scattered
around and after several years of silence these badges have
started to pop-up again more frequently - expecially in
finnish "eBay", Huuto.net. Among collectors these fakes
are known by the name of the home town of their
maker; Naantali.
(Picture 4: Fake Civil Guards
supply Officer course badge. Typical "Naantali" screw nut,
poor enamel and material. Picture 5: Reverse of the
original Civil Guards course badge with appropriate silver
hallmarks and old "Veljekset Sundqvist" mark not used in
modern repros.)
4th Class cheap tourist souveniers. - Object may
resemble the original, but finishing, treatment of surface and
materials don't match the original and in fact, that's
intentional. Most of the time the reverse is the weakest part
of these objects. Closer inspection of the object usually
reveals its nature to the trained eye.
Other Fakes and Techniques
Manufacturing an object from start to finish is not
the only problem concerning fakes. Modifying objects is for
the most part a more simple way. Removing or adding different
parts, as well as different modifications on surface, gilding,
silvering and coppering and changing a ribbon are not
technically hard procedures. Some sort of a chemical
treatment of the surface is sometimes sufficient to turn an
object into another more valuable
one.
Hardest for collectors of Finnish
items are the Crosses of Liberty with red cross insignia -
central emblem is the same from 4th class to 2nd class, only
finishing (gild, silvered) and other details of the cross
show the difference between classes. It is known that by
quite easy work: removing central emblem from lower
class, electroplating it and adding it in to the higher
class makes almost perfect product... but just almost.
The 2nd class of the Order of the cross of Liberty w/ red
cross have been awarded twice (!) - both are known in
museums / collections, so do not buy it even one
finnish dealer has had one just this year... The lower classes
have also some details that fakers have not yet managed
to duplicate - and for obvious reasons I can not
mention them here, but I will be happy to help and
examine suspicious crosses.
Easier to identify, but
more common as an example is the Civil Guards' iron cross of
merit, that can be silvered and made to look like the
silver class. Absence of silver hallmarks is usually the
easiest way to detect a scam like this - but there is
also one original late war type just made like this, and some
silver orders and medals were made without these
hallmarks... The only way to verify their authenticity is
through chemical
testing. Another difficult medal is The
medal of Liberty 1st class. There were official
non-silver awards made from 2nd class medals by
electroplating the - for both types 1939 and 1941.
Actually most of the 1939 medals in the market are not
hallmarked silver and during the final
months of the war when material supplies ran dry,
silvered medals were given out instead of the sterling silver
ones (type 1941). But there are NO
original model 1918 1st class medals without appropriate
silver hallmarks - neither very rare "Mourning medals" or the
1st class medals for civilian merits!
As just mentioned things get more problematic when an
original object is modified in such a way that its structure
does not change but it becomes an another object. Not only
modifying the finish or central emblem - enamel can be added!
For example, three different Regiments of the
Helsinki White Guards in the liberation war had similar symbol
but different colors. - Their
regimental badges can be told apart from a small
enamelled part which is of a different color in each type of
badge (blue, yellow and green). Blue variation is very common,
the orange relatively scarce and green does not exist -
Even there are ones in the market. Good to know is also
the fact, that blue variation is hallmarked by year mark 1918
and orange by 1919. Generally
by removing the enamelled part from the original badge
and replacing it with some rare color or color
combination, recognicing an item as a fake may
become quite hard.
(Picture 6: Helsinki White
Guards regimental badge from 1918. Most common Blue-White
variation)
One of the commonest and also one of the most
easily detected fakes of this sort is the Civil Guard's 1st
and 2nd class badges of proficiency turned into the
"excellence" class badge of proficiency. In addition to enamel
and surface in general. The Civil Guard's badge of
proficiency m/21 can be turned into a badge for medical
proficiency by adding Aisculus' wands - though detected fakes
have been so far poorly duplicated. The same principle has
been used to add red cross' emblems to the medals of the
Order of the Cross of Liberty. The
aforementioned procedures can usually be detected, because
added parts differ from the original badge's construction and
they are usually manufactured with a different way.
Names and other marks and engravings which
are made afterwards are usually a problem in more recent lots
of Finnish commemorative/campaign crosses which lack the
important year and/or the unit engraving / stamp on the
reverse. An added mark can mostly be detected from the
original deeply struck marks because an add-on engraving is
usually lighter and engraved by hand or cheap machine. In
general this problem is, however, very small in Finland
compared to any 3rd reich item or British medals.
The hardest cases also in Finland are
badges which have been manufactured with original tools and
even old parts. Original dies, manufacturer's hallmarks
and even half-finished parts have been found in goldsmiths'
storage rooms. As mentioned before the Veljekset
Sundqvist -hallmark can no longer be taken as a guarantee
for authenticity as it has been used in most of the fakes in
Finland.
Most of the fakes have also been aged artificially.
Original, over 50 years old manufactured objects are
usually patinated if they have not been cleaned
regularly. Therefore forgerers usually patinate the object
afterwards. Chemically created patina does not look like the
original however : its surface can be oily or it can look like
it has been wiped on the surface. Original patina also appears
equally in the places where the object has been in contact
with air, hands and so forth. In other words, under a screw
there should be less patina if any.
Summa Summarum
There are and will always be those who use any
means necessary to gain profit. By pursuing their own
(financial) interests they are hurting the whole medal
collecting hobby. The only way to fight these persons and
their fakes is spreading knowledge, respecting the honest
dealers, helping other collectors and avoiding any contact
with those who manufacture or sell these forgeries.
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